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The pulsating beats, strobing lights, and frenzied atmosphere of raves are known constituents of a globally recognised safe space where young people can lose themselves and rebel against the burdens of social expectations.
Raves in Singapore are no different, offering young adults a release from the societal norms which characterise the city's culture.
However, the pandemic halted all nightlife for two years, with Singapore enforcing strict rules banning festivals, live music events, and nightclubs.
Neighbourhood patrols by red-shirted officers ensured compliance.
But with restrictions finally lifted, Singapore's nightlife's bounced back with a vengeance.
Young adults drawn from all corners of the city state converge on unique locations such as Haw Par Villa, an infernal-themed amusement park.
Transforming its culture courtyard with block-rocking beats, a hive of hyped up bodies jump around to the latest dance anthems.
Decked in sweaty graphic tees, Hawaiian shirts, bucket hats, and bum bags, the crowd's a sight to behold.
Soldier by day, raver by night, 23-year-old Loy offered an explanation for raving's increasing popularity.
He said, "Now, everyone's revenge partying.
The Covid policies here were just so insane."
According to music journalist Kevin
Ho, rave culture defies Singapore's stereotypical image of being a "rich country with lots of rules," instead offering a more genuine reflection of the city as a "crossroads of Asia."
A rich melting pot of individuals from migrant workers to digital nomads, raves are an underground counter-culture that have widespread appeal.
Young revellers are drawn in by the fun-loving vibes of affordable entry fees, decadent drinks, and banging tunes.
Regardless of how gung-ho ravers are, organising a rave is no mean feat.
Circumventing the city state's tough zoning laws and pricey hire fees, organisers opt for ephemeral locations such as arthouse cinemas, private homes or even the basements of tower blocks as venues.
Rave organiser and DJ Dean Chew can attest to these challenges only too well, stating that Singapore's "one of the probably toughest places to get stuff done creatively.
But if you can, something beautiful and powerful comes out of it, like a flower pushing up from a crack in the concrete."
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