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Mongolia's elite circus performance artists are famed across the globe for their mesmerising displays, but now that authorities have warned their century-old training venue is on the verge of disintegrating, the future of the nation's treasured circus culture is on a knife edge.
Honing acrobatic and trapeze skills in practice sessions is currently a particular challenge since there's no alternative venue.
While contemporary, dedicated circus premises exist, intended for both performance and training, 2007 saw the privatisation of these premises, which are now used exclusively to hold high profile concerts and private functions.
Although the government committed to a brand-new circus training centre, it's been a construction site for years and the completion date remains illusory.
Erstwhile circus art director Gerelbaatar Yunden maintains that only bespoke training facilities will reignite the passion for the circus.
In the interim, the circus school's making do by renting practice and rehearsal space outside the city, forcing young performers to endure long train commutes.
Space is at a premium there, something which bothers trainee circus performer Bayarchimeg Erdenebayer.
The most widely acclaimed Mongolian performance artists are probably the contortionists.
As the state school falls into disuse, private establishments have sprung up.
These are giving parents of aspiring performers hope that their children may follow in the footsteps of the 85 percent of Mongolian contortionists now established abroad.
For specialist teacher Bud Tumurbaatar, it's a direct result of inadequate state recognition.
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